{"title":"Theatre Bestsellers","description":null,"products":[{"product_id":"the-art-of-scenic-design-a-practical-guide-to-the-creative-process-introductions-to-theatre","title":"The Art of Scenic Design: A Practical Guide to the Creative Process","description":"\u003cp\u003eHow do you navigate a career as an entertainment designer while maintaining a sense of self-worth and value in the various off-ramps and sidestreets you may choose to take on the journey? The Art of Scenic Design provides an in-depth look at the scenic design process for young designers as well as creative entrepreneurs seeking to nurture a collaborative environment that leads to rediscovery and innovation in their work.\u003c\/p\u003e\u003cp\u003eBased on his 30 years of experience in stage design, exhibit design, art direction for film, and theme park and industrial design, Robert Mark Morgan demonstrates that while a design process for creating these types of works can seem like niche professions, the lessons learned in collaboration, testing and re-testing ideas, prototyping concepts, overcoming fears, venturing guesses, divergent thinking, and the creative process in general are applicable – and valuable – in nearly all disciplines and professions both inside and outside of the entertainment industry.\u003c\/p\u003e\u003cp\u003eIn The Art of Scenic Design: A Practical Guide to the Creative Process you will follow an accomplished designer on a narrative of the theatrical design process from early phases of a design with a creative team encompassing visual research, idea-making, and collaborative relationships, to sketching, prototyping, and testing ideas, through to the execution and manifestation of the design with a team of artists and collaborators. 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Dazzling in its originality.” –Ken Mandelbaum, Theaterweek\u003c\/p\u003e\u003cp\u003eStephen Sondheim’s groundbreaking achievements in musical theatre attain a new level of audacity and accomplishment in his latest creation, Assassins. Evoking a fraternity of Presidential assassins and would-be assassins across a hundred years of our history (including John Wilkes Booth, Lynette “Squeaky” Fromme, John Hinckley and Lee Harvey Oswald), he and collaborator John Weidman examine success, failure and the questionable drive for power and celebrity in American society. The result is an unusually imaginative and utterly idiosyncratic entertainment compounded equally of insight, pleasure, and provocation. 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