{"title":"Editing \u0026 Sound","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe invisible arts of filmmaking. From groundbreaking editors to pioneering sound designers, these books explore the creative decisions that shape a film's rhythm, emotion and atmosphere long after the cameras stop rolling.\u003c\/p\u003e","products":[{"product_id":"suddenly-something-clicked-the-languages-of-film-editing-and-sound-design","title":"Suddenly Something Clicked: The Languages of Film Editing and Sound Design","description":"\u003cp\u003e\"A vast treasury of ideas, observations and innovation.\" - Francis Ford Coppola\u003c\/p\u003e\u003cp\u003eThe triple-Oscar winner of the Godfather films, Apocalypse Now and The English Patient presents a masterclass on movies and how they are made.\u003c\/p\u003e\u003cp\u003eHighly lauded film editor, director, writer and sound designer Walter Murch reflects on the six decades of cinematic history he has been a considerable contributor to – and on what makes great films great.\u003c\/p\u003e\u003cp\u003eTogether with Francis Coppola and George Lucas, Murch abandoned Hollywood in 1969 and moved to San Francisco to create the Zoetrope studio. Their vision was of a new kind of cinema for a new generation of film-goers. Murch's subsequent contributions in film editing rooms and sound-mixing theatres were responsible for ground-breaking technical and creative innovations.\u003c\/p\u003e\u003cp\u003eIn this book, Murch invites readers on a voyage of discovery through film, with a mixture of personal stories, meditations on his own creative tactics and strategies, and reminiscences from working on The Godfather films, Apocalypse Now, Lucas’ American Graffiti, and Anthony Minghella’s The English Patient and The Talented Mr Ripley.Suddenly Something Clicked is a book that will change the way you watch movies.\u003c\/p\u003e","brand":"Fourth Wall Bookshop","offers":[{"title":"Default Title","offer_id":57995631984975,"sku":"9780571328857","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1006\/6028\/1679\/files\/9780571328857.jpg?v=1781954253"},{"product_id":"when-the-shooting-stops-the-cutting-begins-da-capo-paperback","title":"When the Shooting Stops… the Cutting Begins","description":"\u003cp\u003eThe story of one of the most important and least-understood jobs in moviemaking-film editing-is here told by one of the wizards, Ralph Rosenblum, whose credentials include six Woody Allen films, as well as The Pawnbroker, The Producers, and Goodbye, Columbus. Rosenblum and journalist Robert Karen have written both a history of the profession and a personal account, a highly entertaining, instructive, and revelatory book that will make any reader a more aware movie-viewer.\u003c\/p\u003e","brand":"Fourth Wall Bookshop","offers":[{"title":"Default Title","offer_id":57995680547151,"sku":"9780306802720","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1006\/6028\/1679\/files\/9780306802720.jpg?v=1781955541"},{"product_id":"post-sound-design-the-art-and-craft-of-audio-post-production-for-the-moving-image-the-cinetech-guides-to-the-film-crafts","title":"Post Sound Design: The Art and Craft of Audio Post Production for the Moving Image","description":"\u003cp\u003ePost Sound Design provides a practical introduction to the fascinating craft of editing and replacing dialog, creating Foley and sound effects, editing music, and balancing these elements to a final mix. Based on years of experience and teaching this material to students at Drexel University, award-winning film composer John Avarese offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track. Starting each chapter with a real-life example, the textbook is structured in such a way to create a fundamental understanding of the physics and the biological foundation of hearing, and putting it into practice with suggested movie scenes demonstrating the discussed audio techniques. Post Sound Design engagingly demonstrates the individual areas essential to creating a soundtrack that will enhance any media production.\u003c\/p\u003e","brand":"Fourth Wall Bookshop","offers":[{"title":"Default Title","offer_id":57995682054479,"sku":"9781501327476","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1006\/6028\/1679\/files\/9781501327476.jpg?v=1781955598"},{"product_id":"production-sound-mixing-the-art-and-craft-of-sound-recording-for-the-moving-image-the-cinetech-guides-to-the-film-crafts","title":"Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image","description":"\u003cp\u003eThe latest hot camera is pretty irrelevant if one can't understand what's happening on screen. The key to any narrative is in the dialogue and voice over, but if this is unintelligible or difficult to hear, viewers will soon lose interest. With real world applications and a narrative to keep the reader's interest, Production Sound Mixing is the indispensable guide for film and video audio recording. Written by veteran sound mixer John J. Murphy, the book offers a step by step collaborative journey through the basic physics of sound, concluding with a practical guide of the latest techniques and equipment available to all who are interested in the best audio for their projects.\u003c\/p\u003e\u003cp\u003eStructured to mimic a 14-week semester, each chapter begins with an audio problem to be solved and ends with a solution drawn from information gleaned from past chapters. Suggested movie scenes that demonstrate the relevant audio techniques will also be included. Equally applicable to studio and location recording, the book is oriented toward commonly accessible environments such as conference rooms, hallways, beaches, car interiors, bathrooms, and so on. The intent is to allow the student to make the best of a location no matter how challenging it might be. Most importantly, this book will make one aware of the potential of sound on screen, for it is truly 50% of the viewing experience.\u003c\/p\u003e","brand":"Fourth Wall Bookshop","offers":[{"title":"Default Title","offer_id":57995682087247,"sku":"9781501307089","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1006\/6028\/1679\/files\/9781501307089.jpg?v=1781955599"},{"product_id":"film-editing-the-art-of-the-expressive-short-cuts","title":"Film Editing: The Art of the Expressive","description":"\u003cp\u003eFilm Editing provides an introduction to the craft of editing in the non-silent film. In clear and accessible language, Valerie Orpen considers editing as an expressive strategy rather than a mere technique. She reveals that editing can be approached and studied in a similar way to other aspects of film. Traditionally, studies on editing or montage tend to focus on silent cinema, yet this book claims that an examination of editing should also consider the role of the soundtrack. The aim of Film Editing is to examine the way in which editing can make meaning. The book addresses editing as part of a wider context and as a crucial element of the overarching design and vision of a film. Consequently, this book incorporates other parameters, such as mise-en-scène, framing, sound, genre, history, and performance. By examining a number of mainstream and art films, such as Godard's A bout de souffle, Hitchcock's Rear Window, and Scorsese's Raging Bull, Film Editing seeks to dispel the notion that editing is necessarily polarized as continuity versus discontinuity.\u003c\/p\u003e","brand":"Fourth Wall Bookshop","offers":[{"title":"Default Title","offer_id":57995683332431,"sku":"9781903364536","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1006\/6028\/1679\/files\/9781903364536.jpg?v=1781955602"},{"product_id":"the-art-of-theatrical-sound-design-a-practical-guide-backstage","title":"The Art of Theatrical Sound Design: A Practical Guide","description":"\u003cp\u003eEmphasising the artistry behind the decisions made by theatrical sound designers, this guide is for anyone seeking to understand the nature of sound and how to apply it to the stage. Through tried-and-tested advice and lessons in practical application, The Art of Theatrical Sound Design allows developing artists to apply psychology, physiology, sociology, anthropology and all aspects of sound phenomenology to theatrical sound design.\u003c\/p\u003e\u003cp\u003eStructured in three parts, the book explores, theoretically, how human beings perceive the vibration of sound; offers exercises to develop support for storytelling by creating an emotional journey for the audience; considers how to collaborate and communicate as a theatre artist; and discusses how to create a cohesive sound design for the stage.\u003c\/p\u003e","brand":"Fourth Wall Bookshop","offers":[{"title":"Default Title","offer_id":57995687559503,"sku":"9781474257800","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1006\/6028\/1679\/files\/9781474257800.jpg?v=1781955669"},{"product_id":"film-editing-emotion-performance-and-story","title":"Film Editing: Emotion, Performance and Story","description":"\u003cp\u003eFilm editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer. Three interrelated aspects, Emotion, Performance and Story, influence this decision-making.\u003c\/p\u003e\u003cp\u003eCombining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice.\u003c\/p\u003e\u003cp\u003eJulie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film. Examples are closely analysed and discussed using frame grabs, graphics and plans. The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally. Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies. Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world.\u003c\/p\u003e","brand":"Fourth Wall Bookshop","offers":[{"title":"Default Title","offer_id":57996137759055,"sku":"9781474254908","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1006\/6028\/1679\/files\/9781474254908.jpg?v=1781972074"},{"product_id":"sound-and-music-for-the-theatre","title":"Sound and Music for the Theatre","description":"\u003cp\u003eThe fifth edition of Sound and Music for the Theatre traces the process of how to build a sound design to support a theatrical production, from initial concept through implementation in actual performances.\u003c\/p\u003e\u003cp\u003eThe book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects to negotiating a contract. It explores how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with ‘war stories’ describing real-life problems with solutions that readers can apply in their own work, whether they are a sound designer, composer, or sound operator. Also featured are numerous roundtable forums offering insights from theatre luminaries across all aspects of theatrical production. New updates to this edition include:\u003c\/p\u003e\u003cp\u003e * Insights from Sir Patrick Stewart, Alan Cumming, and Lillias White, among others\u003cbr\u003e * Inspiring content in the roundtable discussion “A Sense of Sound: An Actors’ and Educators’ Forum”\u003cbr\u003e * Updates to paperwork and checklists to reflect modern equipment\u003cbr\u003e * Thorough revisions for advancements in technology and procedures\u003c\/p\u003e\u003cp\u003eSound and Music for the Theatre has been the definitive text for sound designers for over three decades, whether they are professionals, students, or enthusiasts. 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